2 edition of Sculptura-historico-technica, or, The history and art of ingraving ... found in the catalog.
Sculptura-historico-technica, or, The history and art of ingraving ...
Published
1747
by Printed for S. Harding ... in London
.
Written in English
Edition Notes
The second ed. of a work first published with title: Repertorium sculptile-typicum.
| Other titles | Sculptura-historico-technica, History and art of ingraving, Repertorium sculptile-typicum. |
| Statement | extracted from Baldinucci, Florent le Comte, Faithorne, the Abcedario [sic] pittorico, and other authors. -- |
| Contributions | Baldinucci, Filippo, 1625-1696 |
| The Physical Object | |
|---|---|
| Pagination | xii, 225, [1] p., [10] leaves of plates, fold. table (p. [226] advertisements) : |
| Number of Pages | 226 |
| ID Numbers | |
| Open Library | OL22301666M |
| LC Control Number | 21003716 |
Arthur Mayger Hind (–) was a leading historian of engraving, one of the most highly respected art historians of modern times. Keeper of Prints and Drawings at the British Museum and Professor of Fine Art at Oxford, he was the author of the most complete history of etching and engraving . The book emphasizes tool care and covers both basic and advanced techniques. The information it contains is ideal for beginning engravers wanting unwrap the age-old secrets of engraving. The author includes tips that will benefit even the most experienced engraver; this work is a must-have for expanding engraving knowledge and delving into the.
Etchers and Etching: Chapters in the History of the Art together with Technical Explanations of Modern Artistic Methods [Joseph Pennell] on *FREE* shipping on qualifying offers. Etchers and Etching: Chapters in the History of the Art together with Technical Explanations of Author: Joseph Pennell. Wood engraving, a printmaking technique in which a print is made from a design incised on the transverse section, or end, of a hardwood block. The technique was developed in England in the last half of the 18th century, and its first master was the printmaker Thomas Bewick, whose illustrations for such natural history books as A History of British Birds ( and ) were the first extended.
The Art of Engraving Hardcover – January 1, by James B. Meek (Author) out of 5 stars 1 rating. See all formats and editions Hide other formats and editions. Price New from Used from Hardcover "Please retry" $ — $ 4/5(1). Engraving originated independently in the Rhine valley in Germany and in northern Italy about the middle of the 15th century. It seems to have been first developed by German goldsmiths now known only by their initials or pseudonyms, the most prominent being the Master E.S. and the Master of the Playing Cards. Martin Schongauer is the first engraver known to have been not only a goldsmith but.
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Texts All Books All Texts latest This Just In Smithsonian Libraries FEDLINK The history and art of ingraving Item Preview remove-circle Sculptura-historico-technica, or, The history and art of ingraving by Harding, S., bookseller.
Publication date TopicsPages: Sculptura historico-technica: or, The history and art of engraving. Containing, I. The rise and progress of engraving. Of engraving in general.
III. Of engraving, etching, and scraping on copper, as now practised. An idea of a fine collection of prints. The repertorium, or A collection of various marks and cyphers, with : Sculptura, or, The history, and art of chalcography and engraving in copper with an ample enumeration of the or renowned masters and their works: to manner of engraving, or mezzo tinto () [Samuel Sorbière] on *FREE* shipping on qualifying offers.
This book represents an authentic reproduction of the text as printed by the original publisher. texts All Books All Texts latest This Just In Smithsonian Libraries FEDLINK (US) The history and art of engraving Item Preview remove-circle Sculptura historico-technica, or, The history and art of engraving by Orlandi, Pellegrino Antonio, Abecedario pittorico.
Sculptura; or, the history and art of chalcography, and engraving in copper: with an ample enumeration of the most renowned masters and their works. The second edition. [John Evelyn] on *FREE* shipping on qualifying offers. The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing.
Sculptura historico-technica: or, The history and art of engraving. Containing, I. The rise and progress of engraving. Of engraving Sculptura-historico-technica general. III. Of engraving, etching, and scraping on copper, as now practised.
An idea of a fine collection of prints. The repertorium, or A collection of various marks and cyphers, with : THE ART OF COPPER ENGRAVING, WITH TEN EXPLANATORY PLATES. BALDINUCCI, Filippo, et al. Sculptura-Historico-Technica: or, the History and Art of Ingraving [sic].
London: S. Harding, 12mo, modern brown cloth. Enlarged second edition of this practical treatise on engraving, with an extensive catalogue of engravers’ marks, ten full-page copperplates of techniques and large folding. Full text of "Sculptura historico-technica: or, The history and art of engraving.
Containing, I. The rise and progress of engraving. Of engraving in general. III. Of engraving, etching, and scraping on copper, as now practised. An idea of a fine collection of prints. The repertorium, or A collection of various marks and cyphers, with.
Sculptura historico-technica, or, The history and art of engraving / By James Marks and Abecedario pittorico. English. Pellegrino Antonio Orlandi. Abstract. An idea of a fine collection of printsIV. The Repertorium; or Collection of the various marks and cyphers, by which the prints of the best ingravers, &c.
are distinguished. With large additionsV. Of ingraving, etching, and scraping on copper, as now practised, with cuts to illustrate of access: g, c. 2: : bookseller. Harding. Sculptura: Or, the History and Art of Chalcography, and Engraving in Copper: with an Ample Enumeration of the Most Renowned Masters and Their Works.
To which is Annexed, a New Manner of Engraving, Or Mezzotinto, Communicated by His Highness Prince Rupert to the Author of this Treatise, John Evelyn, Esq.
Sculptura historico-technica ; or, the history and art of engraving. Containing, I. The rise and progress of engraving. Of engraving in general. III. Of engraving, etching, and scraping on copper, as now practised.
An idea of a fine collection of prints. The repertorium; or, a collection of various marks and cyphers, with additions. Sculptura Historico-technica. Or, The History and Art of Engraving Containing, I. The Rise and Progress of Engraving.
Of Engraving in General. III. Of Engraving, Etching and Scraping on Copper, as Now Practised. An Idea of A Fine Collection of Prints.
The Repertorium; or A Collection of Various Marks and Cyphers, With Additions. Get this from a library. Sculptura-historico-technica: or, The history and art of ingraving Extracted from Baldinucci, Florent le Comte, Faithorne, the Abcedario pittorico, and other authors.
[Pre Imprint Collection (Library of Congress);]. A magnificent, deluxe book with nearly photos, drawings and designs.
Many are concerned with gun engraving but the techniques can be universally applied. This is an instant classic on which no effort was spared. This beautiful book gives you complete instruction in the art of engraving/5(28). Sculptura historico-technica: or, The history and art of engraving.
Containing, I. The rise and progress of engraving. Of engraving in general. III. Of engraving, etching, and scraping on copper, as now practised. An idea of a fine collection of prints. The repertorium, or A collection of various marks and cyphers, with additions. Get this from a library.
Sculptura historico-technica: or, The history and art of engraving Containing, I. The rise and progress of engraving. Of engraving in general.
III. Of engraving, etching, and scraping on copper, as now practised. An idea of a fine collection of prints. The repertorium, or A collection of various marks and cyphers, with additions. Get this from a library. Sculptura-Historico-Technica: or the history and art of ingraving.
Containing, I. The Rise and Progress of Ingraving. Of Ingraving in General. III. An Idea of a fine Collection of Prints. The Repertorium ; or Collection of the various Marks and Cyphers, by which the Prints of the best Ingravers, &c.
are distinguished. Get this from a library. Sculptura historico-technica: or, The history and art of engraving Extracted from Baldinucci, Florent le Compte [sic] Fairthorne [sic]. Get this from a library. Sculptura-historico-technica: or the history and art of ingraving.
Extracted from Baldinucci, Florent le Comte, Faithorne, the Abcedario Pittorico, and other authors. Sculptura historico-technica: or, The history and art of engraving: containing, I.
The rise and progress of engraving. II. Of engraving in general. III. Of engraving, etching, and scraping on copper, as now practised. IV. An idea of a fine collection of prints. V. The repertorium; or, A collection of various marks and cyphers, with additions.Arthur Mayger Hind () was a leading historian of engraving, one of the most highly respected art historians of modern times.
Keeper of Prints and Drawings at the British Museum and Professor of Fine Art at Oxford, he was the author of the most complete history of etching and engraving /5. A history of engraving & etching from the 15th century to the year ; being the 3d and fully rev.
ed. of " A short history of engraving and etching." by Hind, Arthur Mayger, dnPages:
